Recent research expands beyond binary anti-spoofing with the emergence of Source Tracing, the task of identifying the specific generative origins of synthetic speech. However, current research often equates a "source" with its generative architecture. We propose redefining a source as a compositional tuple of Architecture, Training Data, and other training factors affecting the generated speech. We propose a framework using Structured Orthonormal Prototypes to minimize class overlap and intra-class variance. Our Subspace Partitioning strategy splits the embedding into architecture and data subspaces, while a residual subspace captures stochastic variability, enabling "compositional generalization" for novel factor combinations. This approach improves performance for partially seen sources and maintains robustness in fully open-set scenarios. MLAAD evaluations for Few-Shot open-set Identification show our approach significantly outperforms angular-margin baselines.
Most existing audio classification methods suppose that each query (testing) sample belongs to a class of support (training) samples, and misrecognize samples of unseen classes as seen classes (cannot reject samples of unseen classes). In this study, we propose a method for Few-s…
Long-form recordings (LFRs) of child-centered audio are ecologically valid sources for studying early language development, but three problems limit their use. First, LFR corpora are collected across sites with heterogeneous formats and consent structures, making cross-corpus use…
Identifying which string produces a given pitch in monophonic electric guitar audio is a fundamental classification challenge: a single pitch can often be produced on multiple strings at different fret positions, with timbral differences that prior listening studies confirm are l…
Zero-shot text-guided editing of real-world music recordings requires balancing semantic modification with faithful preservation of the original musical structure. Although recent diffusion transformers trained with rectified flow have achieved remarkable success in text-to-music…
Prosodic emphasis varies across languages, emotions, and speaking styles, yet existing emphasis detection models are largely trained and evaluated on monolingual neutral read speech. We introduce MMEE (Multilingual Multi-Emotion Emphasis), a corpus of 10,000 professionally record…
Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multisc…