The light of the daytime sky contains a mixture of many colors yet is perceived as blue by human observers. This is largely due to the particular response functions of the human cones. Under these response functions skylight and blue light are metamers: they yield the exact same excitation of the cones. In this paper we ask: is it possible to define the ``color'' of the sky for other visual systems? We present a simple computational method to determine monochromatic metamers to a given input light for arbitrary visual systems. Using published values on spectral sensitivity functions of various species, we use our method to determine the dominant wavelength of monochromatic metamers to skylight. For a wide range of species (bichromats, trichromats and tetrachormats) we find monochromatic metamers to skylight but the dominant wavelength of the metamer can vary drastically between species and be very different from the color perceived by humans.
Do vision models see colors the way humans do? Existing evaluations of color representations usually compare them with geometric spaces such as CIELAB or with discrete color labels. These references capture perceptual distance or category membership, but not the graded way in whi…
Understanding and characterizing human color perception is a longstanding research goal. One of the most traditional approaches is looking for the human color discrimination thresholds, the minimum chromatic differences perceptible to human observers. In recent years, deep neural…
Diffusion MRI (dMRI) tractography enables non-invasive reconstruction of white-matter pathways, but its accuracy is fundamentally limited by indirect, low-resolution measurements of axonal organization. Tracer injection studies in non-human primates provide a gold standard for va…
Color naming is an important part of human color perception. Its task is to allow people to describe continuous colors using discrete color categories. However, the boundaries between color categories are often unclear, and some colors may be perceived differently depending on th…
Color correction is a key component of camera image signal processing (ISP) pipelines, encompassing illuminant discounting and colorimetric mapping of device-dependent sensor responses to device-independent color spaces, such as CIE XYZ. Despite extensive research, accurate color…
Reconstructing dynamic human-scene environments from monocular videos is a challenging problem that requires jointly modeling scene geometry, camera motion, and non-rigid human dynamics while enabling photorealistic rendering. Recent feed-forward methods can efficiently predict g…